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DeMille DeMille greets Norma with "Hello, Young Fellow," a term of endearment for Gloria that he had used since their first film together in 1918 DeMille and Gloria with Wilder on his Sunset set in 1950 (above) and on DeMille's set back in the early 1920s As a silent film star, Norma symbolically swats away the sound equipment but welcomes the warm glow of the spotlight DeMille performs his cameo for director Billy Wilder in Sunset Boulevard while on the set of his own epic Samson and Delilah The sets in Sunset Boulevard- -such as the living room and Norma's bedroom-- are extraordinary and also add to the character While waiting up for Joe and doing some snooping, Norma wears a strapless gown topped in sheer chiffon As Norma attempts to ruin Joe's chance at love, her gown falls off the shoulder in very 1920s style Off-the-shoulder (and slightly tormented) in Cecil B

The songs spines are elastic, accommodating the acoustic, the electronic, the Caribbean, the bombastically orchestral, in arrangements that always seem fun for performers to brand with their likeness

Friborg of the Statens Serum Institute in Copenhagen